It happens to tattooers constantly. Account hacked, account suspended with no explanation, a copyright claim over their own design. Ten years of work, the client list and every photo — gone overnight.
And that is only one half of it. The other is Meta disabling you with no explanation. In March 2026 Meta expanded AI's role to both flag accounts and handle the appeals against those same decisions. In June its own Oversight Board — the independent body Meta funds — found systemic human rights concerns around due process and transparency. More than 60,000 people have signed a petition asking for human review. Meta has announced no changes.
Three tattooers. Three accounts. Not one of them did anything wrong.

I've had Instagram since Instagram came out.
I built it in Venezuela. That's where I was known — years of work, a real following. Some from the States too. Then I moved to Peru and worked there for years, and it grew way bigger than it had ever been. By 2019 I was heading to Argentina.
First day in Buenos Aires. Everything's fine. Bags not even unpacked. And a message comes through: someone is trying to access your account.
That someone was me.
So I tell them: it's me. I'm here. I just landed. And they come back with — no, you can't be, you're not in that country. I said I am. I'm standing in it. Right now. I'm not sure what they wanted. A photo of me at passport control.
So they send me a test instead. Answer these exactly, or that's the end of it. When was your last post? How long ago was it? What was in it? And I knew. Obviously I knew — it was a tattoo I'd done myself. I could have told them the machine I used. I still had the photos on my phone. I sent them the whole thing, everything they asked for, exactly right.
They took the account anyway. Full marks on the test. Still thrown out.
I fought it for about a week. Wrote to them again and again. Same reply every time, word for word, like nobody had ever read a single one of them.
And what went in the bin was years. Tattoos on rappers from Venezuela — some of them very well known over there. Rappers from Cuba. Baseball players. Work from three different countries, all in one place, all gone in an afternoon.
A load of photos from conventions — pieces I'd won with, and shots with other artists, people I'd travelled to work alongside. That's not just pictures. That's the proof of where you've been.
And one of those guys was a rapper. He got killed, a while after. I had photos of the two of us just hanging around at the shop, nothing special, just a normal day. There's no copy of those anywhere. And there's nobody left to ask for another one.
So I opened a new account. I didn't want to. But there's no other way to get your work out now. And then I opened a second one for Mala Vida as well. A spare. Just in case. That's what this does to you. You start keeping a spare.
And it wasn't even the first time. Same thing happened with my Facebook years before. Gone, same as that.
What can you do?

I picked her up from the airport at four. By six every account I had was gone.
I met her in August. She was here on holiday, we got on, she went back to the city. Months later I paid for her flight so she could come and stay a few days.
I picked her up from the airport at four. By six every account I had was gone.
Not locked. Gone. Someone was inside them, changing things, while I was driving her home.
I didn't say anything that first night. She'd just walked in the door. You don't lead with that.
Next morning I told her it was strange, that I'd been shut out of everything since the airport. She said that was weird. By the third day I'd stopped sleeping properly — I was messaging anyone I could think of, anyone who knew anyone, trying to find a way back in.
That's when she told me.
Her ex still reads her messages. He always has, since before they split. She'd bought a new phone thinking that was the end of it. It wasn't. He'd been watching her talk to me for weeks, and he knows how to get into things.
So he got into mine.
My personal account. The studio's. A third one. All three sat under the same Meta login, so they went together, in one stroke. Thousands of followers. Every piece I'd ever photographed. Every client who found me through it. Eight years.
I tried everybody. Nobody could get it back. It's still gone.
I'd never met the man. I'd never spoken to him. He didn't want anything from me — there was nothing to want. I was just standing next to her.
Meta doesn't hand that list to anyone. Anyone who tells you otherwise is either lying or about to get your account closed. What I can do is make sure that next time, you have a way to reach them.
Anyone who visits can leave their WhatsApp or email — in exchange for seeing new flash first and hearing about cancellations before anyone else.
The numbers already in your phone get imported. Those people have already paid you — worth more than any follower.
If you lose the account, you send one message and your people know where to find you. Depending on nobody.
Uncompressed. Instagram keeps a chewed-up copy. Your site keeps yours.
Email and WhatsApp. Yours, exportable, always.
What you did, when, with what ink. And how to reach them again.
Signed online before the session and stored. No more folder of paper.
The site asks for them automatically at six weeks. It's the best proof of your work and it costs you nothing.
Every piece is stamped with a date and your name. If someone posts it as theirs, you have the record.
Your site keeps a waiting list. One tap tells everyone waiting for a slot. First to answer takes the chair. You don't lose the day and you don't lose the money.
People add themselves from your site. You do nothing until someone drops out.
Everyone you tattoo gets their own link: their piece, the date, your name, the aftercare. People share these on their own.
One button. You download the original photos, the contact list, the client records, the signed consent forms — all of it, in formats anything can open.
Without asking me. Without telling me. I don't work with people who are locked in.
Instagram lets you download your own data. Almost no tattooer knows it exists. No tool, no third-party password, and it breaks no rules.
In the app: your profile → menu → Settings and privacy → Accounts Centre. On a computer: accountscenter.instagram.com
Then to 'Download your information'.
HTML if you want to read it, JSON if you want to process it. Media quality: HIGH. That detail matters — it is the difference between your photos and a compressed copy.
Meta emails you when it's ready — a few hours to a couple of days. Download it and keep it on your computer and on a drive or the cloud.
Set a reminder. A backup from a year ago is not much use.
That saves your work: every photo, your messages, and the list of who you follow. What it does not give you is a way to contact your followers — the list comes as usernames, not emails or phone numbers. Nobody can solve that. Which is why the backup is half of it, and a list of your own is the other half.